Afronova gallery Johannesburg

godfried donkor, browning madonna, mixed media collage on paper, 2006



godfried donkor, bill richmond the black terror, mixed media collage on paper, 38x50cm, 1999



godfried donkor, black madonna, collage on paper, 64x48cm, 2004



godfried donkor, the mulatto madonna, collage on paper, 64x48cm, 2004



godfried donkor, browning madonna, collage on paper, 64x48cm, 2004



godfried donkor, from slave to champ I, oil on canvas, 175x155cm, 1998



godfried donkor, from slave to champ III, oil on canvas, 175x155cm, 1998



godfried donkor, olympian and muse, collage on paper, 38x50cm, 2009



godfried donkor, the mulatto madonna, collage on paper, 64x48cm, 2004



godfried donkor, the olympians I, oil on canvas, 163x183cm, 2003



godfried donkor, the olympians II, oil on canvas, 163x183cm, 2003



godfried donkor, the olympians III, oil on canvas, 163x183cm, 2003



godfried donkor, the olympians IV, oil on canvas, 163x183cm, 2003



godfried donkor, three wise men, collage on paper, 64x48cm, 1999



godfried donkor, twin madonna, collage on paper, 64x48cm, 2004



godfried donkor, yellow madonna with dancing saints, collage on paper, 64x48cm, 2005



godfried donkor, young madonna, collage on paper, 64x48cm, 2004



Godfried Donkor


Godfried Donkor

The series of boxers and the Madonnas form the basis of works in the exhibition ’The Olympians and muses’, the first solo exhibition by Ghanaian-British artist Godfried Donkor in South Africa. The featured boxers series are life size paintings of 18th and 19th century pugilists whose sporting exploits and lifestyle inspired the folklore and mythology of their time and profession. These were some of the earliest heroes to capture the public’s imagination. Sourced from archival illustrations and photos, the fighters are painted on a background of figures and text taken from the Financial Times newspaper. Donkor has always been fascinated by the sporting culture and mythology associated with this art form which can be found in all societies .

The Madonna series was inspired by the glamour and music culture during a residency in Trinidad and Tobago. Most of the models are local and are part of the ongoing religion of ’carnival’.

Godfried Donkor’s collages fuse symbols of the eighteenth-century slave trade with images of contemporary Trinidadian glamour girls, set against a backdrop of pages from the Financial Times. Donkor, who was born in Ghana but now lives in London, juxtaposes these incongruous elements as a means of scrutinising themes of capitalism, globalisation and liberation. His luscious and alluring ’black madonnas’ emerge, phoenix-like from below the decks of the lithographed slave ships, in a triumphantly brazen, carnival-like celebration of human endurance.

By appointment only

e: afronova@tiscali.co.za
w: www.afronova.com
c: +27(0)837265906
Po box 3205 – Parklands 2121
Johannesburg – South Africa